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It is Monday morning. Over the weekend, twelve new scripts arrived. Nine more came in the week before. Somewhere in the inbox are scripts that have been waiting since last month, along with a few that have been there even longer. In two hours, the development meeting starts, and there is still a stack of material that nobody has had time to read.

The traditional path to getting a film made looks something like this: write the script, find a producer, attract financing, wait. For many independent writers and filmmakers, that waiting can stretch into years and for projects that do not fit neatly into what financiers are looking for, the wait sometimes never ends.